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GVOON
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performances
11.04.01 webcast
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cybersalon
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anlässlich der link-up performance mit cybersalon.org / net.music symposium, war gvoon am 11.04.2001 über 6,5 stunden live auf sendung. livemitschnitt vom 11.04.2001 von 20 bis 22 uhr.
an dieser stelle die damalige ankündigung.
'gvoon stands for: global visions of other nature. gvoon will be webcasting themselves and guests from cologne all night. they will present nearly all gvoon installations. e.g. a bodytracking system, different midi controllers and random generators all of which control sounds and visuals and vrml-worlds.'
akteure waren carl mahlmann, chris bornefeld, bobok, felix bomsdorf, arthur schmidt / gvoon, irmin wiechmann und ein jongleur.
zu diesem event wurden diverse installationen in betrieb genommen und thematisch verteilt aufgeführt.
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video video video video video video
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dv tape 1 - 1 teil - 480x360 - 09:30 min    mp4   (h264) 1200 kbps 092,7 mb
dv tape 1 - 2 teil - 480x360 - 10:00 min    mp4   (h264) 1200 kbps 095,9 mb
dv tape 1 - 3 teil - 480x360 - 10:00 min    mp4   (h264) 1200 kbps 095,9 mb
dv tape 1 - 4 teil - 480x360 - 10:00 min    mp4   (h264) 1200 kbps 095,9 mb
dv tape 1 - 5 teil - 480x360 - 10:00 min    mp4   (h264) 1200 kbps 095,9 mb
dv tape 1 - 6 teil - 480x360 - 12:19 min    mp4   (h264) 1200 kbps 118,2 mb
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dv tape 2 - 1 teil - 480x360 - 09:40 min    mp4   (h264) 1200 kbps 092,7 mb
dv tape 2 - 2 teil - 480x360 - 10:00 min    mp4   (h264) 1200 kbps 095,9 mb
dv tape 2 - 3 teil - 480x360 - 10:00 min    mp4   (h264) 1200 kbps 095,9 mb
dv tape 2 - 4 teil - 480x360 - 10:00 min    mp4   (h264) 1200 kbps 095,9 mb
dv tape 2 - 5 teil - 480x360 - 10:00 min    mp4   (h264) 1200 kbps 095,9 mb
dv tape 2 - 6 teil - 480x360 - 07:30 min    mp4   (h264) 1200 kbps 072,0 mb
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dv tape 3 - 1 teil - 480x360 - 09:40 min    mp4   (h264) 1200 kbps 092,7 mb
dv tape 3 - 2 teil - 480x360 - 10:00 min    mp4   (h264) 1200 kbps 095,9 mb
dv tape 3 - 3 teil - 480x360 - 10:00 min    mp4   (h264) 1200 kbps 095,9 mb
dv tape 3 - 4 teil - 480x360 - 10:00 min    mp4   (h264) 1200 kbps 095,9 mb
dv tape 3 - 5 teil - 480x360 - 10:00 min    mp4   (h264) 1200 kbps 095,9 mb
dv tape 3 - 6 teil - 480x360 - 07:30 min    mp4   (h264) 1200 kbps 072,0 mb
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dv tape 4 - 1 teil - 480x360 - 09:40 min    mp4   (h264) 1200 kbps 092,7 mb
dv tape 4 - 2 teil - 480x360 - 10:00 min    mp4   (h264) 1200 kbps 095,9 mb
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dv tape 5 - 1 teil - 480x360 - 09:40 min    mp4   (h264) 1200 kbps 092,7 mb
dv tape 5 - 2 teil - 480x360 - 10:00 min    mp4   (h264) 1200 kbps 095,9 mb
dv tape 5 - 3 teil - 480x360 - 10:00 min    mp4   (h264) 1200 kbps 095,9 mb
dv tape 5 - 4 teil - 480x360 - 10:00 min    mp4   (h264) 1200 kbps 095,9 mb
dv tape 5 - 5 teil - 480x360 - 10:00 min    mp4   (h264) 1200 kbps 095,9 mb
dv tape 5 - 6 teil - 480x360 - 07:30 min    mp4   (h264) 1200 kbps 072,0 mb
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dv tape 6 - 1 teil - 480x360 - 09:40 min    mp4   (h264) 1200 kbps 092,7 mb
dv tape 6 - 2 teil - 480x360 - 10:00 min    mp4   (h264) 1200 kbps 095,9 mb
dv tape 6 - 3 teil - 480x360 - 10:00 min    mp4   (h264) 1200 kbps 095,9 mb
dv tape 6 - 4 teil - 480x360 - 10:00 min    mp4   (h264) 1200 kbps 095,9 mb
dv tape 6 - 5 teil - 480x360 - 10:00 min    mp4   (h264) 1200 kbps 095,9 mb
dv tape 6 - 6 teil - 480x360 - 07:30 min    mp4   (h264) 1200 kbps 072,0 mb
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dv tape 7 - 1 teil - 480x360 - 09:40 min    mp4   (h264) 1200 kbps 092,7 mb
dv tape 7 - 2 teil - 480x360 - 10:00 min    mp4   (h264) 1200 kbps 095,9 mb
dv tape 7 - 3 teil - 480x360 - 10:00 min    mp4   (h264) 1200 kbps 095,9 mb
dv tape 7 - 4 teil - 480x360 - 10:00 min    mp4   (h264) 1200 kbps 095,9 mb
dv tape 7 - 5 teil - 480x360 - 10:00 min    mp4   (h264) 1200 kbps 095,9 mb
dv tape 7 - 6 teil - 480x360 - 07:30 min    mp4   (h264) 1200 kbps 072,0 mb
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dv tape 8 - 1 teil - 480x360 - 09:40 min    mp4   (h264) 1200 kbps 092,7 mb
dv tape 8 - 2 teil - 480x360 - 10:00 min    mp4   (h264) 1200 kbps 095,9 mb
dv tape 8 - 3 teil - 480x360 - 10:00 min    mp4   (h264) 1200 kbps 095,9 mb
dv tape 8 - 4 teil - 480x360 - 10:00 min    mp4   (h264) 1200 kbps 095,9 mb
dv tape 8 - 5 teil - 480x360 - 10:00 min    mp4   (h264) 1200 kbps 095,9 mb
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dv tape 9 - 1 teil - 480x360 - 09:40 min    mp4   (h264) 1200 kbps 092,7 mb
dv tape 9 - 2 teil - 480x360 - 10:00 min    mp4   (h264) 1200 kbps 095,9 mb
dv tape 9 - 3 teil - 480x360 - 10:00 min    mp4   (h264) 1200 kbps 095,9 mb
dv tape 9 - 4 teil - 480x360 - 10:00 min    mp4   (h264) 1200 kbps 095,9 mb
dv tape 9 - 5 teil - 480x360 - 10:00 min    mp4   (h264) 1200 kbps 095,9 mb
dv tape 9 - 6 teil - 480x360 - 07:30 min    mp4   (h264) 1200 kbps 072,0 mb
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cd mitschnitt 01 - track 01 - 90:25 min    mp3   192 kbps 124,1 mb
cd mitschnitt 02 - track 01 - 73:02 min    mp3   192 kbps 100,3 mb

cd zusammenschnitt 03 - track 01 - 14:30 min    mp3   192 kbps 019,2 mb
cd zusammenschnitt 03 - track 02 - 22:00 min    mp3   192 kbps 030,2 mb
cd zusammenschnitt 03 - track 03 - 03:39 min    mp3   192 kbps 005,0 mb
cd zusammenschnitt 03 - track 04 - 12:31 min    mp3   192 kbps 017,1 mb
cd zusammenschnitt 03 - track 05 - 18:23 min    mp3   192 kbps 025,2 mb


aus dem material dieser veranstaltung wurde eine cd mit dem titel cybersalon produziert.
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Outline of Event
In his seminal text 'Noise', Jacques Attali celebrates the prophetic power of music. What is pioneered first within music-making is later adopted as the political economy for the whole of society. For instance, the constant turnover of hit records in the 1920s prefigured the mass consumerism of late-twentieth century Fordism. According to Attali, each epoch of music-making creates its own specific social, technological and aesthetic forms. For instance, twentieth century music developed some apparently unbreakable paradigms: stars, fans, record companies, copyright laws, pieces of plastic, top 40 singles and experimental albums. Yet, at the beginning of a new century, these fixed Fordist forms are being superseded. What began with a few skilled DJs mixing vinyl now involves almost everybody with access to a computer and the Net. This new situation won't just create new social, technological and aesthetic paradigms for music-making. As in the past, music is pioneering a new political economy for the whole of society. Napsterisation is a prophecy of the peer-to-peer future.
This cybersalon and symposium will examine the impact of this transformation within music-making - and its consequences for the rest of society. Since copyright laws and technological fixes can only slow down this process, the event will concentrate on analysing the emerging social, technological and aesthetic paradigms. Musicians, fans, academics and policy-makers will be invited to give their views about the new situation. The event will begin with a two-session symposium in the afternoon. Each session will be structured around a series of short interventions followed by periods of discussion. In the evening cybersalon, the chairs of each session will summarise these findings and talk about the wider social consequences of the new forms of music-making. The first session will look at the new aesthetics of interactive music. This could include DJ culture, mixing, sampling, digital recording, Napster, MP3, music toys, on-line jamming and the latest technological developments. This session will discuss how far new methods of production and distribution are creating new aesthetics. What will be the sounds of the age of composition predicted by Attali? The second session will examine what happens once the existing legal and economic structures of music industry are no longer viable. The spread of new music technologies reflects the emergence of new methods of making music. However, when peer-to-peer computing becomes ubiquitous, how do musicians get paid for their work? How do people receive acknowledgement for their ideas? Can the copyright laws be updated for the new situation? Can music exist as both commodity and gift?
The Regulation of Liberty by Richard Barbrook Time, Space and (Digital) Compression by Andrew Leyshon Hard Work at Play by Andy Huntington
date 11 April 2001
time symposium: 1pm-5.30pm
cybersalon 7.00pm- 1am
venue Cybersalon: Theatre, Brandon &Nash room, Bar and New Media Centre
entry £6/ £5 (conc) / £4 (ICA) // £1.50/ free (ICA) AFTER TALK

SPEAKERS
Jacques Attali
"Music is more than an object of study: it is a way of perceiving the world" Attali has been professor, writer, special advisor to Francois Mitterrand (1981-1990), founder and first President of the European Bank for Reconstruction and Development (1991-1993). ....Music, the organization of noise.....reflects the manufacture of society; it constitutes the audible waveband of the vibrations and signs that make up society. With noise is born disorder and its opposite: the world. With music is born power and its opposite: subversion. In noise can be read the codes of life, the relations among people." (Jacques Attali, Noise: The Political Economy of Music, 1976) A new version of Jacques Attali's text "Noise" or the original title, "Bruits: essai sur l'economie politique de la musique" is currenlty being prepared for publication. More about Attali: noise:interactive music by Andy Cameron and Andy Allenson www.notbored.org/attali.html www.well.com/user/joerai/multimediapolity.html www.attali.com Richard Barbrook
Co-founder of the Hypermedia Research Centre (HRC) at the University of Westminster and Cybersalon, and well-loved and respected lecturer in cyber-theory.
ARTISTS
BLINOV/JAMROZY
BLINOV/JAMROZY present THE AETHERPHON. From the dawn of the electrical age to a vision of Attali's future mode of composition. The Aetherphon utilises the technology of the 1920's instrument the Theremin, linking it to the current advancements in todays multi-media world, creating a 21st Century marriage of sound and image.
gvoon
gvoon stands for: global visions of other nature. Gvoon will be webcasting themselves and guests from Cologne all night. They will present nearly all gvoon installations. e.g. a bodytracking system, different midi controllers and random generators all of which control sounds and visuals and vrml-worlds.
Matt Black (Coldcut)
Matt Black and Jonathan More make up Coldcut. They also set up the Ninja Tune label which has harnessed great talent in the field of interactive music. Matt will be demo-ing DJamm, DJamm is a four track audio loop player which cuts up your sample loop and re-arranges it according to your selection of four parameters. This all happens in REALTIME meaning you can apply the 're-cycle' to any loop as it is running with the other three.
Nomig (Vancouver)
From the Unknown comes the Lucid. Streaming into the consiousness of the many, the binary pair unify the 1 with the naught. Within the 0 lies the (w)hole; the multiple from which the pair bonded. As TV pirates, they ride the waves of the digital, see the spectrum of the aural, and catch visual frequencies in their .net. Selectively eclectic, they roam the international ocean capturing only what will prosper once exported from the Composite Station. Being concerned with the utmost of quality, the bonded-pair Forge their Sound from the finest specimens, wrap it in repetition and chill it in the live stream...
Osymyso
Osymyso will perform using sampled sounds from a variety of sources, including the net.music symposium in the afternoon!
Rocket Network
Rocket Network produced one of the earliest and widely used on-line music jamming software- resrocket.
The Jive Machine (Interactive Sound & Visual Engine) The Jive Machine is a collaboration between Westminster University MA students Lewis Sykes, Neal Coady and Cybersalonista Max Young. Frustrated with the lack of real interactivity in much of the so called interactive music software, the aimless ambient doodling of most generative music software and the shallowness of many musical toys, the aim of this project was to build a truly interactive and responsive sound and visual engine with depth and programmability. An instrument that would appeal to and be understood by both a music/visual artist or seven year old.
Theraman.Dhyano.Benz theraman.com
ENTERTAINMENT
space.fm
www.space.fm is a new Internet radio station which plays an eclectic range of tunes. At Cybersalon, Space broadcast live with their DJ crews and live performances.
VJs Sanfrandisco
Sanfrandisco are a group of very talented VJs from Japan, who light up various nights all over London including Fabric, Cargo and the Vibe bar where they are residents every Saturday night. Sanfrandisco are Aya, Takako and Bunzo.www.sanfrandisco.org *.... ANKÜNDIGUNG - CYBERSALON.ORG / NET.MUSIC-SYMPOSIUM - ABOUT GVOON ....*
GVOON
gvoon stands for: global visions of other nature. Gvoon will be webcasting themselves and guests from Cologne all night. They will present nearly all gvoon installations. e.g. a bodytracking system, different midi controllers and random generators all of which control sounds and visuals and vrml-worlds.
Gvoon aspires to be 'a platform for cross media activities, provided by the producer Arthur Schmidt.
gvoon will feature guest performers
carl mahlmann - midi sax
irmin wiechmann - cello / pophead
chris bornfeld - atari / ms 20 / tapes
gvoon uses new media and new technologies for a translation of projects from the traditional art forms. Gvoon describes this as 'collaborating systems'.
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copyright and produced by gvoon, all rights reserved.
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